Dear Love by Jazzmeia Horn and Her Noble Force

There is nothing more appealing to me than a jazz album infused with poetry and spoken word. And this is exactly what Jazzmeia Horn offers us. Dear Love is the third and most ambitious album by the American vocalist and arranger. Not only is it another demonstration of Jazzmeia “Jazz” Horn’s singing ability, but the album also spotlights her as a composer, arranger, and bandleader.

Jazzmeia Horn is an American jazz musician who came into prominence when she won the Thelonious Monk Institute of Jazz International Vocals Competition in 2015. In 2017, she released her debut studio album titled A Social Call, and two years later, she released her follow-up album Love & Liberation. Both albums got nominated for Grammy Awards in the category Best Jazz Vocal Album. Her third body of work, Dear Love, is different and more progressive as the album is supported by a large ensemble of musicians who she calls Her Noble Force. All songs for this orchestral project are arranged by Jazzmeia Horn and, the album got released on her own label, Empress Legacy Records. The work has been Grammy-nominated for Best Large Jazz Ensemble.

In the album’s opening track “I Feel You Near,” she performs calming spoking-word over the baritone sax and percussion. She articulates every word coherently and, she uses intonation to built-up the tension. The song is poetic, but the instrumental backing brings motion. It hints towards traditional African folk music, where movement is a central theme. It is the perfect opening for an album that addresses personal aspects of life and where the contrast and variety of the compositions bring up different themes and moods.

“Ella could not only sing a melody, she could scat the hell out of some chord changes and sound just like an instrumentalist. I like to say that I am continuing the legacy, or the tradition, of vocal improvisation.”

Jazzmeia Horn

Despite being backed by a large jazz ensemble, Jazzmeia Horn managed to keep the album intimate and personal. Her vocals are meaningful and gentle. She has a consistent timbre, a wide range, and outstanding timing. In the song “Lover, Come Back To Me” – a well-known jazz standard thanks to Billie Holiday’s recording – her scat singing abilities can be compared to the legendary Ella Fitzgerald. Also, Horn’s improvisational skills are similar to the trademark of one of the most important jazz singers of all time. “I like to say that I am continuing the legacy, or the tradition, of vocal improvisation,” Horn says during an interview with NPR.

Lover, Come Back To Me – Jazzmeia “Jazz” Horn

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Dear Love – Jazzmeia Horn and Her Noble Force

 September 2021 / Empress Legacy Records ELR001 / US

Dear Love is the third and most ambitious album by Jazzmeia Horn. Her previous albums, A Social Call (2017) and Love & Liberation (2019), both got nominated for Grammy Awards in the category Best Jazz Vocal AlbumDear Love is not only another demonstration of Jazzmeia Horn’s singing ability. The album also spotlights her as a composer, arranger, and bandleader. This orchestral project released on Horn’s label, Empress Legacy Records, has been Grammy nominated for Best Large Jazz Ensemble.

Jazzmeia Horn explains that Dear Love addresses three aspects of her existence: her community, her lover, and herself. She infused the album with poetry and spoken word. Her meaningful and intimate vocals have a consistent timbre, a wide range, and an outstanding timing that perfectly communicates with the big band called Her Noble Force.

Bring Backs – Alfa Mist

April 2021 / Anti- 7789-1 / EU

With his third studio album titled Bring Backs, the British producer, songwriter, and pianist Alfa Mist reflects on his sampling and hip-hop days on the streets of London. After self-releasing his two previous solo albums – Antiphon in 2017 and Structuralism in 2019 – Alfa Mist partners with the American independent record label Anti- for the release of his next body of work, Brings Back.

Brings Back blends jazz with R&B, hip-hop, classical, and wistful spoken word. The reflective musical voyage alters between an instrumental atmosphere and vocals. While the instrumental atmosphere is present in each track, the vocal-oriented parts of the album lie mainly in the songs “Mind The Gap” and “Organic Rust“.

Deciphering The Message – Makaya McCraven

November 2021 / Blue Note 00602438144730 / US

For the recording of Deciphering The Message, drummer and producer Makaya McCraven dove into the Blue Note catalog. By rearranging parts, sampling, and adding beats, he presents a contemporary take on jazz classics by among others, Horace Silver, Hank Mobley,  Kenny Dorham, and Art Blakey.

In Deciphering The Message, Makaya McCraven does not celebrate jazz by duplicating the originals. He reimagines and innovates tunes without losing their valued core characteristic. The thirteen songs on the album are an homage to the jazz subgenre from the ’50s and ’60s, hard-bop.

Daring Mind – Jihye Lee Orchestra

March 2021 / Motéma MTM-0385 / US

Daring Mind is the work of the South Korean arranger and composer Jihye Lee. Lee, who had no jazz or classical training, originally became a successful indie-pop singer-songwriter. As she began exploring her own identity, she soon discovered large-ensemble jazz to be more satisfactory. She moved to New York and transitioned into a jazz composer under the guidance of pianist Jim McNeely.

Lee’s experience in pop music gave her a creative view on jazz composition. “Jihye Lee is emerging as a strong voice in the ‘next generation of composers for large jazz ensemble. Her music is imaginative and creative,” Jim McNeely said, “And she’s not afraid to make some exciting changes in her writing.”

Tone Poem – Charles Lloyd and The Marvels

March 2021 / Blue Note – B003313501 / US

Tone Poem, the third cooperation between the 83-year-old Charles Lloyd and The Marvels, is a continuous piece of orchestral music that blends various American music styles such as jazz, blues, and country. 

Lloyd and The Marvels quintet, featuring Bill Frisell on guitar, Greg Leisz on pedal steel guitar, Reuben Rogers on bass, and Eric Harland on drums, present us a full-length album filled with adaptations from Ornette Coleman, Thelonious Monk, Ignacio Villa, Gabor Szabo, and singer-songwriter Leonard Cohen. The album is supplemented with Lloyd originals.

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