Jazz Album Covers That Inspire – Part 3

What attracts me to an album apart from the music, is the sleeve design. Here are again five designs that inspired me. The artwork is stunning and at the same time, it contributes to the story of the recording.

Bring Backs – Alfa Mist

2021 / Anti- 7789-1 / Kaya Thomas-Dyke (artwork)

With his third studio album, the British producer, songwriter, and self-thought pianist Alfa Mist reflects upon his sampling and hip-hop days on the streets of London. After self-releasing his two previous albums – Antiphon and Structuralism – Alfa Mist partners with the American independent record label Anti- for his next body of work, Brings Back.

The artwork is by Kaya Thomas-Dyke, a close friend of Alfa Mist and the bass guitar player on the album. Alfa Mist drew inspiration from a card game he played as a child. In the game, after winning a round, you can be brought back to play again, meaning that winning is never a sure thing. With it, Alfa Mist refers to his childhood. He lived in a constant state of uncertainty and instability. “You can be doing okay for a while but, that can change. You know that’s always a possibility,” he explains. The unpredictable and inevitable future is a recurring theme on the album. Kaya Thomas-Dyke embodies this theme in the artwork.

Both Directions at Once: The Lost Album – John Coltrane

2018 / Impulse! 00602567493013 / Osk Studio (design) / Joe Alper (photography)

Both Directions at Once: The Lost Album got recorded in 1963. However, the tapes got lost. John Coltrane’s personal copy was discovered in 2018, and the recording was released that same year. The album was made while under contract with Impulse Records and features Coltrane’s so-called Classic Quartet: McCoy Tyner on the piano, Jimmy Garrison on the bass, and Elvin Jones behind the drums.

The design is stunning, and it’s one of the most distinctive records I have in my collection. On the outside, two cut-out triangles are pointing in both directions. Inside, we have two vinyl records, and the inner sleeves feature portraits of John Coltrane by the photographer Joe Alper. The album comes with a four-panel folded poster capturing one of the most influential groups in music history. Music historian Ashley Kahn added the liner notes, which you can find on the poster’s backside.

We Are Sent Here By History – Shabaka And The Ancestors

2020 / Impulse! 00602508645631 / Daniela Yohannes (artwork)

The album is a partnership between the British saxophonist Shabaka Hutchings and a large ensemble of South African musicians. The New York Times wrote: “If jazz is looking to reinvent itself, the music of Shabaka And The Ancestors might be a good place to start. Shabaka And The Ancestors are making their own jazz history.”

The cover artwork is by the illustrator Daniela Yohannes who is of Ethiopian-Eritrean heritage. Daniela Yohannes got introduced to the jazz scene in London and facilitated several music events around jazz. She witnessed a whole new generation of musicians, both of European and African descent. She created promotional materials and cover art for jazz groups. As described in her biography: “Her work reflects upon the racialized movement and conditional belonging of African diaspora.

Palo Alto – Thelonious Monk

2020 / Impulse! 00602507112844 / Ryan Rogers (Creative Direction & Design) / Larry Fink, Jim Marshall, Lee Tanner, Veryl Oakland (photography)

In 1968, the sixteen-year-old Danny Scher invited Thelonious Monk and his quartet to play a benefit concert at his high school in Palo Alto, California. The concert was recorded and, more than 50 years later, the music got finally released. T.S. Monk – Thelonious Monk’s son – claims that the recording at the Palo Alto high school is the best one made during his father’s career. “The way he plays, not knowing he was being recorded, was very rare,” he explains.

The cover features a black-and-white image of Thelonious Monk behind his piano. The photo is by the hand of Larry Fink, a noted photographer who is best known for his pictures of people in social situations. The gatefold album on vinyl includes a 12-page booklet with photos, essays, and credits. You also get a replica concert program and poster by the Palo Alto High School International Club.

Blue Note Re:imagined – Various Artists

2022 / Blue Note 0890927 / Jay Vaz (Art Direction & Design) / Dan Medhurst, Daniela Monteiro, Fabrice Bourgelle, Karolina Wielocha, and Michaela Quan (photography)

Ever since its birth, jazz music has continuously evolved into various subgenres. The American record label Blue Note Records played a significant role in this evolution. The company is a landmark in jazz music and has an extensive song catalog that includes many acclaimed jazz standards. Their release Re:imagined is a compilation of Blue Note originals brought by a unique selection of musicians who’ve taken on jazz, soul, hip-hop, and R&B as their musical narrative.

The sleeve design is by the graphic designer and visual artist Jay Vaz. Vaz has a deep passion for music. For his designs, he draws inspiration from old record sleeves and, he embeds heritage to bring meaning. For the design of Re:imagined he tries to visualize sounds through animated vinyl stickers.

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Digging the Archives: Previously Unissued Jazz Recordings

There are various reasons for record companies to decide not to release an album. Labels such as Blue Note recorded more than they could release and had to prioritize. Sometimes recordings remained unfinished and would be completed when the time is right. Live recordings nobody knew existed surfaced decades later and were released to continue the musician’s legacy.

Here are five unissued jazz recordings that were released recently.

Art Blakey & The Jazz Messengers – Just Coolin’

Recorded in 1959 – Released 2020 / Blue Note Records

Just Coolin’ is the result of a unique but short-lived ensemble of The Jazz Messengers collective.

The studio album was recorded on a single day in March 1959 at the famous Rudy Van Gelder studio in New Jersey. However, Blue Note Records co-founder Alfred Lion decided not to release the album and instead record a live performance at the famous Birdland club in New York. The live album titled At the Jazz Corner of the World was released in 1959 and remained the only issued recording of this jazz ensemble until Just Coolin’ was released in 2020.

Thelonious Monk – Palo Alto

Recorded in 1964 – Released 2020 / Impulse Records

When jazz drummer T.S. Monk was contacted regarding an old concert recording, he was amazed by his father’s performance and the background story behind the session. Danny Scher, sixteen at the time, organized benefit concerts to raise money for the Peace Corps and construction projects in Kenya and Peru. Although many people did not believe it would actually happen, he successfully hosted a concert with the jazz titan, Thelonious Monk.

T.S. Monk, knowing most of his father’s live recordings, understood how unique this recording was and how it contributes to the legacy of Thelonious Monk. In cooperation with the label Impulse Records, he released the album in September 2020.

Tony Allen And Hugh Masekela – Rejoice

Recorded 2010 – Released 2020 / World Circuit Records

Trumpeter Hugh Masekela and drummer Tony Allen met in the seventies thanks to their associations with Fela Kuti (Africa ’70). In the decades to come, they talked about making an album together. In 2010, producer Nick Gold took the opportunity and recorded the encounter.

The recording remained unfinished and got stored in the archives. With Hugh Masekela’s passing in 2018, Tony Allen and Nick Gold continued working on the original tapes during the summer of 2019. They finished the recording at the same studio where the original sessions took place, the Livingston Recording Studios in London. The album got released in 2020.

John Coltrane ‎– Blue World

Recorded 1964 – Released 2019 / Impulse Records

For every admirer of the saxophonist, composer, and bandleader, this release is very welcomed. It gives another insight into the confidence Coltrane and his band had that year. 

The recording was commissioned for the film Le Chat Dans Le Sac and after the movie was put online for streaming, the search for the original recording tapes began. They were stored in the archives of the National Film Board of Canada. After discovering and clearing out the legal constraints, the music was released to the public in 2019.

The album features two alternate takes on the song “Naima“, a ballad he composed for his wife Juanita Naima Grubbs (married 1955-66) in 1959 and which was originally released on the album Giant Steps. Also notable are the three takes on his composition “Village Blues“, a song that was originally released on the studio album Coltrane Jazz.

The Dave Brubeck Quartet – Time OutTakes

Recorded in 1959 – Released 2020 / Brubeck Editions

When author Philip Clark was researching for his biography Dave Brubeck: A Life in Time, he discovered previously unissued tapes from the recording sessions of Time Out in 1959. Time Out, a studio album by The Dave Brubeck Quartet, was the first jazz record to sell over one million copies.

Apart from alternate takes on Take Five and Blue Rondo à la Turk on the A-side, we get some newly issued materials on the B-side.

The outtakes give us a look into the creation of this iconic album. You can ask yourself: “What if the record label decided to release a different version of the song?”. Song details that fans are so familiar with today could have looked different.

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Thelonious Monk At His Best – Palo Alto

In 1968, the sixteen-year-old Danny Scher invited Thelonious Monk and his quartet to play a benefit concert at his high school in Palo Alto, California. The concert got recorded and now, more than 50 years later, the music was released. Palo Alto is a live recorded concert featuring Charlie Rouse on the tenor saxophone, Larry Gales on the bass, Ben Riley behind the drums, and composer Thelonious Sphere Monk on the piano.

When jazz drummer T.S. Monk was contacted regarding an old concert recording, he was amazed by his father’s performance and the background story behind the session. Danny Scher, sixteen at the time, organized benefit concerts to raise money for the Peace Corps and construction projects in Kenya and Peru. Although many people did not believe it would actually happen, he successfully hosted a concert with the jazz titan, Thelonious Monk.

T.S. Monk, knowing most of his father’s live recordings, understood how unique this recording was and how it contributes to the legacy of Thelonious Monk. In cooperation with the label Impulse Records, he released the album in September 2020.

In an interview with Brad Baker from jazz.fm91, T.S. Monk highlights that his father was mainly known as a live artist. Especially before being placed on the cover of Time Magazine in 1964, and the wider public was introduced to his music, Monk’s recording career was unstable. Unlike Miles Davis or John Coltrane who spent their careers with major labels, Monk didn’t rely on his recordings, the people who remember Monk will refer to his live sessions instead.

T.S. Monk claims that the recording at the Palo Alto high school is the best recording made during his father’s career. “The way he plays, not knowing he was being recorded, was very rare,” he explains.

All of those elements that the world loves about Thelonious Monk are present in this recording.

T.S. Monk (Thelonious Monk’s son)

“Danny Scher caught him on an exceptionally good day, and all of those elements that the world loves about Thelonious Monk are present in this recording”, T.S. Monk said, “his ability to work with time and shift and displace various phrases, the swing that all of his bands always had, the unique harmonics and melodic figures that he played… it’s just all there. It’s pure Monk, and it’s wonderful.

You can listen to the full interview with T.S. Monk here:

The quality of the recording is exceptionally good for its age, but it has limitations. It does, however, capture astonishing details you rarely receive when listening to a studio recording. During Monk’s original composition “Well, You Needn’t” you can hear Larry Gale singing along during his bass solo. In piano-exclusive parts, you can hear Monk tapping his foot. You hear the audience react to every interaction of the musicians. These minor details bring out the jazz and feeling of presence when listening to this dusty 50-year old recording.

The album on vinyl comes with a gatefold sleeve, a copy of the original program, a replica of the event poster, and a booklet including rare images of Monk and the band.