Alfa Mist’s “Bring Backs” Blends Jazz with Spoken Word

With his third studio album, the British producer, songwriter, and self-thought pianist Alfa Mist reflects upon his sampling and hip-hop days on the streets of London. After self-releasing his two previous albums – Antiphon and Structuralism – Alfa Mist partners with the American independent record label Anti- for his next body of work, Brings Back.

Alfa Mist is a London-based producer, rapper, and pianist. To be both a hip-hop rapper and a jazz pianist is unique on its own. Learning that both skills are self-thought makes him inspiring. Alfa Mist started to create music on the streets of East London when he was only 15 years old. Being a teenage hip-hop producer eventually led to the discovery of jazz music. ā€There’s no access to jazz where I’m from,ā€ Alfa says. ā€œThere’s no way I would have come to it without finding those hip-hop records and wanting to understand them.ā€ Learning the piano enabled him to improvise and creatively fuse jazz with hip-hop. By 2015, he built his network and established himself as a leading figure within the vibrant and rapidly evolving London jazz scene.

Change is inevitable
The isms and schisms, questionable
The future is out there, a matter of time

Hilary Thomas

Alfa Mist’s first official release was the collaboration project with singer Emmavie titled Epoch. This independent release from 2014 is strongly influenced by avant-garde R&B and, it already blends jazz, soul, and hip-hop. His first solo release came in 2015 with the extended play Nocturne and, two years later, he released his breakthrough album titled Antiphon. In 2017, he followed up with his second full-length album, Structuralism. Bring Backs is the third in a series of recognized and welcomed Alfa Mist albums. The album captures Alfa Mist’s rap and piano skills. It blends contemporary jazz with R&B, soul, hip-hop, classical, and spoken word.

The reflective musical voyage alters between an instrumental atmosphere and vocals in the form of rap and spoken word. The lyrics, a poem by Hilary Thomas, is what binds the album together. A total of four vocalists support the album. On the opening track, “Teki,” we hear Hilary Thomas open her poem with a spoken-word piece: “Change is inevitable. The isms and schisms, questionable. The future is out there, a matter of time.” In the song “People,” Kaya Thomas-Dyke sings in what is more a guitar-driven ballad. Alfa Mist is the third vocalist we hear, and he does it the way we expect. “Mind the Gap” dives into hip-hop and rap but keeps the loungy jazz backing. Alfa Mist’s rap gets support from the rapper Lex Amor who brings a softer touch to the track.

Alfa Mist in the studio during the Bring Backs recordings

Bring Backs got recorded in London together with an ensemble consisting of close friends and longtime collaborators, which makes things more personal. For the album’s title, Alfa Mist drew inspiration from a card game he played as a child. In the game, after winning a round, you can be brought back to play again, meaning that winning is never a sure thing. With it, Alfa Mist refers to his childhood. He lived in a constant state of uncertainty and instability. “You can be doing okay for a while but, that can change. You know that’s always a possibility,ā€ he explains. The unpredictable and inevitable future is a recurring theme on the album.

The album is a confirmation that Alfa Mist will have more to offer in the future. He shows his ability to blend various musical styles and instruments into one meaningful oeuvre. Being a leading figure in the London music scene definitely influenced the album’s creativity.

Alfa Mist – Bring Backs (Live at Metropolis)

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Robert Glasper Shows Off His Jazz Chops With “Canvas”

Robert Glasper showed off his jazz chops long before he released the Grammy-winning album Black Radio in 2012. His Blue Note debut album titled Canvas was released in 2005 and features the pianist in a jazz scenery influenced by Herbie Hancock, Chick Corea, and Bill Evans.

It’s no surprise that Blue Note Records signed the young pianist. His earlier album Mood, released under the Robert Glasper Trio on the Spanish label Fresh Sound New Talent, was the studio debut that placed the young pianist on the radar of the major record labels.

Canvas is a convincing display of Glasper’s remarkable piano technique. The New York Times wrote that Glasper’s trio, with Vicente Archer on bass and Damion Reid on drums, is a “strong enough entity to make any performance seem ambitious and vital.”

Robert Glasper’s affinity with hip-hop called for a natural transition. The pianist bridged and influenced multiple music genres. In 2012, he released the album titled Black Radio. The album was a crossover and achieved success in different music genres. In 2013 it won a Grammy for best R&B album and, it got simultaneously listed in the top 10 charts for hip hop, R&B, and jazz.

Robert Glasper at Blue Note Jazz Club

A Collective of Musicians Re:imagined the Blue Note Catalogue

Ever since its birth, jazz music has continuously evolved into various subgenres. The American record label Blue Note Records, which got established in 1939, played a significant role in this evolution. The company is a landmark in jazz music and has an extensive song catalog that includes many acclaimed jazz standards. Their new release Re:imagined is a compilation of Blue Note originals brought to you by a unique selection of musicians who’ve taken on jazz, soul, hip-hop, and R&B as their musical narrative.

Blue Note describes the album as “a bridge between the ground-breaking label’s past and future“. The driving force behind this highly anticipated project is a new and vibrant scene of mostly UK-based musicians. They are a group of forward-thinking artists that innovate, even reinvent, the genre through sampling, hip-hop, afrobeat, and dance music.

The compilation album features, among others, Shabaka Hutchings, Nubya Garcia, Alfa Mist, and Jorja Smith. They perform their take on Blue Note classics, often transformed into an easy-to-absorb contemporary remake.

“This 16-track compilation finds today’s youthful, often London-based renaissance in dialogue with the revered New York label’s deep back catalogue.”

The Guardian (review by Kitty Empire)

Not all songs on the album are adaptations of historic jazz standards. Singer-songwriter Jorja Smith opens the album with an electronic and upbeat transformation of St Germain‘s hit song Rose Rouge.

Inner sleeve artwork

Noticeable are the transformations of four original compositions by Wayne Shorter. The American jazz saxophonist composed many acclaimed jazz standards and, it’s no surprise that he is listed here multiple times. He had an influential career and, his contributions to jazz were paramount. In 1959, he joined Art Blakey & The Jazz Messengers, where he replaced Hank Mobley. And in 1964, he joined Miles Davis‘ second (great) quintet and co-founded jazz fusion.

His compositions spotlighted on Blue Note‘s Re:imagined are Footprints, Armageddon, Speak No Evil, and Night Dreamer.

Footprints is a composition that was originally recorded for his album Adam’s Apple. The track got reworked by the London-based Ezra Collective, who are adding beats to the original. The jazz standard Armageddon got transformed by the Norwegian group Fieh into something that best can be described as neo-soul. The last two, Speak No Evil and Night Dreamer, are cleverly fused into one by Emma- jean Thackray. The songs transform into an adventurous arrangement where, also here, beats dominate.

London Jazz News writes in their review that “for some heritage-loving jazzers this whole vault-raiding exercise will be sacrilege“. They also comment on the life expectations of these adaptations versus the originals: “Some of Blue Note Re:Imaginedā€˜s supposed updates will vanish long before the originals fade and the results often aren’t ā€œjazzā€ – but the spirit of adventure and imagination in a good number most definitely is.

All in all, despite how the album is being viewed by “heritage-loving jazzers“, and despite it being a compilation, the record is spirited and exhilarating. It’s shelved among the best albums released in 2020 as it spotlights a new wave, and helps you discover the latest in music.