There are various reasons for record companies to decide not to release an album. Labels such as Blue Note recorded more than they could release and had to prioritize. Sometimes recordings remained unfinished and would be completed when the time is right. Live recordings nobody knew existed surfaced decades later and were released to continue the musician’s legacy.
Here are five unissued jazz recordings that were released recently.
Recorded in 1959 – Released 2020 / Blue Note Records
Just Coolin’ is the result of a unique but short-lived ensemble of The Jazz Messengers collective.
The studio album was recorded on a single day in March 1959 at the famous Rudy Van Gelder studio in New Jersey. However, Blue Note Records co-founder Alfred Lion decided not to release the album and instead record a live performance at the famous Birdland club in New York. The live album titled At the Jazz Corner of the World was released in 1959 and remained the only issued recording of this jazz ensemble until Just Coolin’ was released in 2020.
Recorded in 1964 – Released 2020 / Impulse Records
When jazz drummer T.S. Monk was contacted regarding an old concert recording, he was amazed by his father’s performance and the background story behind the session. Danny Scher, sixteen at the time, organized benefit concerts to raise money for the Peace Corps and construction projects in Kenya and Peru. Although many people did not believe it would actually happen, he successfully hosted a concert with the jazz titan, Thelonious Monk.
T.S. Monk, knowing most of his father’s live recordings, understood how unique this recording was and how it contributes to the legacy of Thelonious Monk. In cooperation with the label Impulse Records, he released the album in September 2020.
Recorded 2010 – Released 2020 / World Circuit Records
Trumpeter Hugh Masekela and drummer Tony Allen met in the seventies thanks to their associations with Fela Kuti (Africa ’70). In the decades to come, they talked about making an album together. In 2010, producer Nick Gold took the opportunity and recorded the encounter.
The recording remained unfinished and got stored in the archives. With Hugh Masekela’s passing in 2018, Tony Allen and Nick Gold continued working on the original tapes during the summer of 2019. They finished the recording at the same studio where the original sessions took place, the Livingston Recording Studios in London. The album got released in 2020.
Recorded 1964 – Released 2019 / Impulse Records
For every admirer of the saxophonist, composer, and bandleader, this release is very welcomed. It gives another insight into the confidence Coltrane and his band had that year.
The recording was commissioned for the film Le Chat Dans Le Sac and after the movie was put online for streaming, the search for the original recording tapes began. They were stored in the archives of the National Film Board of Canada. After discovering and clearing out the legal constraints, the music was released to the public in 2019.
The album features two alternate takes on the song “Naima“, a ballad he composed for his wife Juanita Naima Grubbs (married 1955-66) in 1959 and which was originally released on the album Giant Steps. Also notable are the three takes on his composition “Village Blues“, a song that was originally released on the studio album Coltrane Jazz.
Recorded in 1959 – Released 2020 / Brubeck Editions
When author Philip Clark was researching for his biography Dave Brubeck: A Life in Time, he discovered previously unissued tapes from the recording sessions of Time Out in 1959. Time Out, a studio album by The Dave Brubeck Quartet, was the first jazz record to sell over one million copies.
Apart from alternate takes on Take Five and Blue Rondo à la Turk on the A-side, we get some newly issued materials on the B-side.
The outtakes give us a look into the creation of this iconic album. You can ask yourself: “What if the record label decided to release a different version of the song?”. Song details that fans are so familiar with today could have looked different.
Just Coolin’ is the result of a unique but short-lived ensemble of The Jazz Messengers collective. Originally founded and led by drummer Art Blakey, The Jazz Messengers knew many changes. “Stability can be elusive for … Continue reading Just Coolin’ With Art Blakey & The Jazz Messengers
In 1968, the sixteen-year-old Danny Scher invited Thelonious Monk and his quartet to play a benefit concert at his high school in Palo Alto, California. The concert got recorded and now, more than 50 years … Continue reading Thelonious Monk At His Best – Palo Alto
Would there be afrobeat without Tony Allen? Tony Allen’s beats and rhythms were, to say it modest, genre-defining. He will always be remembered as the pioneer and co-founder of afrobeat. He was a curious musician … Continue reading Hugh Masekela and Tony Allen – Rejoice, Here Comes Tony
When author Philip Clark was researching for his biography Dave Brubeck: A Life in Time, he discovered previously unissued tapes from the recording sessions of Time Out in 1959. Time Out, a studio album by … Continue reading Time OutTakes: A Peek Into The Studio With The Dave Brubeck Quartet